in Lawrence, Michael, ed. Indian Film Stars: New Critical Perspectives. London: British Film Institute, 2020. pp. 87-98.
Excerpt: This chapter seeks to interrogate the representational politics of stardom and masculinity in Malayalam cinema, one of the most prolific of the regional film industries in India, with special reference to the rise of Mohanlal as a ‘superstar’. The entry of Mohanlal (Mohanlal Viswanathan Nair, 1960—) into Malayalam cinema as a villain in the early 1980s, his much-praised energetic and performative prowess in a succession of highly successful roles in light-hearted romantic social comedies, and his gradual transformation into the ultimate icon of Malayali masculinity in the 1990s, mark a paradigm shift in the ideology and visual iconography of Malayalam cinema.
Reposted from Kerala Scholars eGroup
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